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Print forces commitment.
There’s no undo button. No animation to hide behind. Once it’s in someone’s hands, it either communicates—or it doesn’t. That’s exactly why print has remained one of the most powerful tools in my creative work.
Over the years, I’ve designed a wide range of print media—from recruitment look books and direct mail to magazine ads and one-off, high-touch pieces—for clients including Troy University, Cox Communications, House & Garden, financial institutions, and even the White House.
Freshman Look Book
The Troy University Freshman Look Book was designed to be an introduction—not just to a campus, but to a future.
The layouts balanced:
Institutional authority
Aspirational storytelling
Youthful energy
Every spread was crafted to help prospective students imagine themselves there before ever arriving on campus.

Direct Mail & Newspaper Advertising
Cox’s print campaigns needed to perform at scale.
I designed direct mail pieces and newspaper ads built for speed and clarity—strong hierarchy, clear offers, and layouts designed to be skimmed without losing meaning.
This was print with a job to do.

Magazine Advertising & In-Store Print
For House & Garden, I designed magazine advertisements and supporting print collateral that translated complex, technical product information into clean, approachable layouts—elevating the brand while maintaining clarity for real users.

Formal Dinner Invitation
One of the most unique print projects I’ve worked on was a formal White House dinner invitation.
This piece demanded absolute restraint—typography, spacing, paper choice, and layout all working together without excess. The goal wasn’t to impress through design, but through precision.
Sometimes the quietest pieces carry the most weight.

LeBron James Signed Photo in Gold Tube Packaging
For a financial institution, I designed a luxury direct mail piece featuring a LeBron James signed photograph housed in a gold tube mailer.
This wasn’t mass mail—it was experiential.
From the moment it was received, opened, and revealed, the piece was designed to communicate exclusivity, trust, and value.
Print as an object, not just a message.
In addition to large campaigns, I’ve designed countless:
Flyers
Event promotions
One-sheets
Informational materials
Specialty print pieces
These projects may be smaller in scale, but they often demand the most discipline.

Print rewards:
Clear thinking
Confident restraint
Intentional typography
Respect for the reader
It slows people down in a way digital rarely does.
And when done right, it stays with them.

In a world obsessed with speed, print remains deliberate. It’s tactile. It’s permanent.
That’s why I still design for it—and why it still works.
Andrea Rushing is a San Diego-based artist and founder of the San Diego Art Academy. Known for his symbolic oil paintings and impactful murals, he mentors aspiring artists while creating works that celebrate culture and the human spirit.
Copyright© 2026 Andrea Rushing Fine Arts - All Rights Reserved.
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